Month: November 2019

There are millions of drawings lying all around the world. These are invaluable pieces of paper, which have created monuments, buildings, machines and infrastructures. As the time passes by, these paper drawings are endangered being lost to disaster or being lost. There is an urgent need to make sure that all the paper drawings which are lying in offices, godown and secured places to be restored in a manner which will enable them to be with us for a long time.

The various means by which we can convert the old paper drawings to CAD are:
Automatic conversion using software
Manual conversion by draftsman
Precision redrafting
Scanning and storing

Of the above-mentioned methods, the cheapest method is to scan the document and store it in a computer. You can get it printed as and when you want it. There are numerous scanning companies all over the place who can scan large documents using highly complex scanning machine. You can scan any old documents and once scanned the document is there with you for lifetime. New York Document Scanning, www.new-york-document-scanning.com

If you plan to use the CAD file in future for making changes to the original design, which was done on paper, the best method is to get the drawing converted to CAD using draftsman with experience in CAD software. During this process, and as requested, text is re-typed and drawings are re-scaled 1:1. Specified items are also converted to different layers and colors to conform to the drawing standards. The end result of this meticulous process, being a CAD files which is identical to a drawing done on paper and which also requires no further work. http://www.convert2cad.com

Simple vectorisation is the conversion of a scan or raster image into a CAD or vector file. The process is achieved through the use of software that studies the raster image and tries to recognize and then replace the raster image with lines or vector information. The result is a dxf file, which is layered according to line thickness, line type and text. The image will require some manual clean up, the extent of which will depend upon: 1) The quality of the original 2) The amount of information required from the converted file. (Often clients do not require the title block etc.) 3) The quality of the line work and whether the text was typed or hand written.
BENEFITS OF CAD CONVERSION
Perfect drawings, which can be modified as and when required in the fastest possible manner.
Able to access drawings at a click of a button
Storage of the drawings becomes very easy
Can make multiple copies at no cost
Transmission of document is very fast
Multiple print can be taken as a very high speed
Thousands of drawings can be stored in a single DVD / CD
A new file, we can create as many layers as you require. We generate separate layers for dimensions, text, body, hidden lines, and centerlines, etc.
Text is separated and has its own layer and is recognizable as text
Dimensions are intact and are shown by a separate layer.
High accuracy
Normally create a drawing as a new file; the final output is editable and will be in DXF, DWG, DGN or any other CAD formats
Cost effective hand-drawn conversions.
The converted drawings are manually drawn with precision and are fully editable and contains:
Accurate layer information Accurate text (editable)
Accurate line types (editable)
Associative dimensions (adjustable)
Symbols & blocks of standard components Title blocks (as per scale)
Associative hatch patterns (editable)
Once you have converted the paper drawings to CAD format there are lot of thing that can be done with those dwg files. They can used to created 3D models and then generate rendered images or animation by using advanced software’s. http://www.convert2cad.com/samples.htm

A Cat cable is vital for transmitting data for effective business communication inside as well as outside the premises of an office. It is the backbone of the whole communication platform and ensures that the text, images, videos, audio files etc. are transmitted in an efficient fashion. Therefore, it is extremely important that the network of Ethernet network cable is evaluated for efficiency periodically. And, if an organization is moving to new premises, the layout of existing network of cables must be checked with the help of CAD drawing service. These two services are rendered by certain firms located in Toronto, Canada, which hold proficiency in executing them for the benefit of their clients.

As part of the Cat cabling assessment service, most firms engaged in this line of work make use of gauge wire instruments that check the girth of the cables. The uniformity of the girth help BICSI certified professionals in determining the usability of the networking cable, and whether it needs to be replaced or upgraded or not. Cable assessments provide the concerned authorities with the information regarding the setup of the structured cabling infrastructure. Companies that carry out this test submit logical cable numbers, closet ID, feed and switch ID of all cables, and in some instances, the detailed path of the cables is also defined for the benefit of the clients.

As the Canadian law requires companies to maintain the proof of the safety of the cables they use within premises, availing the certificates for the same becomes a necessity. Fortunately, the firms that test cables also provide services pertaining to the certification of premise wiring. Such firms carry out tests and give certificates for sound CAD drawings, Cat 5, 6 & broadband cables, fiber OTDR and fiber end-to-end systems. The testers follow the prevalent norms while evaluating the high speed cable and provide certificates that are readable and accepted by government agencies.

The best cabling networking companies of Canada hold expertise in the field and render turnkey services related to this line of work. This means that apart from testing cables, and assessing the layout with the help of CAD drawing and providing certificates, these firms also upgrade the cables. This up-gradation is done cases of insufficient as well as stagnant cabling Toronto that is hampering the growth of the organization by providing an effective business communication platform. The firms recommend the cables that would best suit the requirements of their clients and install the cables in the office premises upon request as part of their all-encompassing network cabling services.

Sketching hair is dictated by several aspects: the type of hair, its color, quality, quantity, the arrangement and styling of the hair, the individuality and mood of the model or the photograph, and the light effect upon the hair.

The arabesque of the hair is part of the overall construct. A correct construct is relevant to the likeness of the hair. Many novice draftspersons start with the face and grow outward from there. This is however a poor approach and instills bad habits that will prove difficult to overcome.

In fact, the arabesque is especially relevant when draw a hairdo. Attempting to draw the hair working from the inside out, bit by bit, is a recipe for failure. The hair will end up in being either too small for the skull or too large.

Drawing within the construct of the coiffure, first put in the main darks. These darks are best seen by squinting until a general pattern of light and dark is seen.

Next, you need to stump down the graphite in a painterly manner following the overall gesture and movement of the coiffure. For this you can utilize your fingers, a tissue, or a paper stump. If you utilize a paper stump be cautious not to deaden the look. If you utilize your fingers make sure they are dry and also wipe them constantly with a paper towel.

Then, utilize your kneaded eraser like a loaded paint brush to pick out the essential lights. Do not be overly fussy here. A more virtuoso approach effects a sense of life and rhythm into the coiffure. If you make a mistake just stump down the graphite again with your fingers or stump and do it again.

Sometimes when you block-in the coiffure other light parts of the skull pop out. This is one rationale why sketching the skull as a whole is necessary.

French braiding is a beautiful coiffure style, but extremely complex and hard to sketch. The idea is to draw these French braids fluidly and with movement. A balancing act is required here: the complexity of the coiffure’s styling is best handled by first line-drawing the main locks and braids. As you map out the braids be sure to plumb and carefully size and place each main lock and braid.

When sketching from a photograph there is the temptation to copy it down to the smallest detail. You may or may not give in to this temptation but you should always make sure that the coiffure maintains its liveliness. However, in most cases, you will not need to map out every detail.

Further block-in the darks taking into account the direction and gesture of the essential locks of the coiffure. The hardest thing is to avoid from plunging into an area of detail. Not to do this requires mental discipline. Best is to follow a layered approach that progressively stacks the arrangement of the coiffure, lock by lock.

You also should soften the edges of the coiffure line so that it blends into the forehead and sides of the face. Hair does this naturally.

Be sure to used sharp pencils because dull pencils lead to dull, lifeless coiffures.

Having first mapped out and blocked-in the essential locks of hair makes the drawing of the finer areas much easier, but is still labor intensive. You should be prepared to spend quite a bit of time on a coiffure.

Also, step back from the drawing to maintain an overview of the main light/dark pattern because detailing can result in a flat mess in which the tones close in on each other.

Restrain yourself from drawing bangs too early in the process. This helps ensure that the coiffure and flesh can be unified into a unified sense of spirit.

Sketching coiffures so that it reads naturally and has a rhythmic gesture is challenging. Ordinarily it takes as much time and effort to render the coiffure as it does the face and neck. You must spend as much care in prepping the coiffure as you would for the rest of the portrait. If you draw from life be sure you do the coiffure before your model takes a rest because the coiffure will very likely have changed when the break is over. The strategy, then, is to devote a whole 20 to 30 minutes of a pose segment to the coiffure.

With these procedures you can be certain that in time your sketched coiffures will look authentic and lively. Do not forget that drawing coiffure takes time so that you do not get impatient.